30 Day Doctor Who Challenge - Day 2 Favourite Companion

What an idiot I am, assuming that there would only be one 30 Day Doctor Who challenge. The one Jennie's doing has different questions, and because I like those better, particularly the one about writers, I'm going to go with hers, which are below:

There are some in the other list that I quite like, so might throw them in as bonuses from time to time.

So, today's question is favourite companion.

I have loved very many companions over the years. I adored Ace. Maybe because I was in my early 20s when she came along, I didn't feel, like Jennie did, that she was taking the mickey out of me. Actually, thinking about it, I watched her live, which I don't think Jennie was old enough to do. I love her attitude, her feistiness, her humour, courage and vulnerability. Sophie and Sylvester were one of the best partnerships.

It took me a while to warm to Rose Tyler, but by the time she and Sarah Jane met up in School Reunion, I was a firm fan. I thought Billie managed the change from Eccleston to Tennant very well. They were two very different relationships, two very different dynamics. Nine was pretty high maintenance. Rose had to chisel through the bitterness to find the inherently decent bloke beneath. With Ten there was the chance to relax a bit and enjoy the relationship as it developed. This is where I disagree with Jennie. I don't think Rose was any less useful in the likes of The Idiot's Lantern, Fear her and Doomsday than she was in Rose Tyler. And as for 10.5 going to live with her, I get what Rusty was trying to do, trying to minimise the pain. Losing someone you love once is bad enough, twice, well, that's hell. I can let him away with that one. And, yes, I got carried away with the emotion of it all and lapped it all up.

Captain Jack - reckless, outrageous, gorgeous. Needed the watershed to maximise his potential, but he made me smile.

Amy Pond - Karen Gillan is such a versatile actress - no better than in The girl who waited where she had to play a much older version of herself. I loved the way Amy and Rory's relationship developed, how Amy made the Doctor buck up his ideas and brought a good dose of realism and empathy to many situations - I'm thinking now of the time when she was able to defuse Bracewell where the Doctor couldn't in Victory of the Daleks.

Donna Noble: Catherine Tate and David Tennant were such a good combination. She really knew how to take the wind out of his sails. She made a great start in the Runaway Bride which to this day is Anna's favourite episode.

Liz Shaw was great, a scientist with an open mind.

But there can only be one winner. She was everything the 7 year old Caron wanted to be, clever, pretty, a writer, compassionate, warm, curious. Sarah Jane Smith and Elisabeth Sladen, the actress who played her, both became heroines of mine. And how I wanted a pair of those red and white striped dungarees. I was gutted when Lis left. It was great to meet her at conventions in the 90s. There are some advantages to smoking and one of them is the interesting people you meet when out having a puff. Lis was great fun and she was one of the few famous people whose death has made me seriously cry. I've had her autobiography since the day it was published yet I've only got about a third of the way through because I don't really want to finish it. There's a reason my daughter's middle name is Elisabeth and nobody else was ever going to get a look-in for my favourite companion.

HERE BE SPOILERS: Review of The Angels take Manhattan

Well, that's it, then. The Ponds have gone. There will be spoilers later on so don't read any further if you don't want to know what happens.

You know how soft I am, so it will come as no surprise to you that I bawled my eyes out at the end of last night's Doctor Who. Amy and Rory have been fantastic companions and the relationship between them and the Doctor, complicated by the revelations around River Song, have made fantastic viewing. I'm not so convinced that it really was time for them to go. I could have had them round for a year or two yet.

Steven Moffat promised he was going to break our hearts. That's one promise that's not going to need an autotuned apology. He fulfilled it in every possible way.

The scene was Manhattan, where the weeping angels controlled a building called Winter's Quay. Rather than the weakened specimens on the Byzantium, who broke people's necks then disturbingly used their voices to communicate, they were back to their original form in Blink, where they sent people into the past and lived off their potential life energy. It's a very weird concept.

Rory's a bit like Ianto Jones from Torchwood in some ways. There was more than a trace of irony for me that he was off fetching coffees when he was zapped back to 1938 by an angel. The Doctor and Amy knew what was going on because the Doctor was reading a trashy detective novel which we later found out was written by River using the pen name Melody Malone.

The weeping angels were creepy enough, but there was something very sinister about River saying "Hello, Daddy" in the same slightly lascivious tone as she says "Hello, Sweetie"to the Doctor.

As Rory is zapped again by weeping angels, in space rather than time, River and Amy have a conversation that really annoyed me. First of all, River spoke about the Doctor as if he were an emotionally immature child who couldn't cope with the idea that people aged and warned her against showing him signs of ageing because it would remind him that he must lose her. Well, excuse me, he's 900 years old and, yes, it's sad that he can't keep those he loved round him forever and his life involves a fair bit of grief, but there's no point in trying to protect him from it in such a patronising way.

She might well have fallen in love with someone "with the face of a 12 year old" but there are worse things than women ageing. We're only talking a few wrinkles in both of them. In the normal course of events, both could still have had decades with him. If I'm being generous, Moffat might well have been weaving in our double standards on ageing (men are allowed to, women aren't) into the story. The alternative is that he was just showing his own prejudices.

Taken by the Angels to Winter's Quay, Rory finds an elderly version of himself about to die. Joined by River and Amy, the quartet realise that young Rory will be caught and zapped further back in time so that he dies in 1938...unless he can outrun them, creating a paradox. This he decides to do by jumping off the roof to prevent the Angel in the Statue of Liberty getting him. The scene where Amy decides to jump with him is so emotional. There is no way she's going to risk being without him. My daughter thought it was Moffat trolling the Sherlock fandom. If you don't know why, watch the series. It's brilliant.

You know that they haven't really got away with it when the family is reunited in the cemetery. There's still too much off the episode to go and you know they have to part. Rory is found by an Angel who's survived the paradox somehow and very unobtrusively sent back. Despite being willing to sacrifice himself, to jump off a big building not knowing whether it'll work, he never got so much as a thank you or a proper farewell scene.

As Amy allows the angel to take her too, not knowing if she'd definitely be reunited with Rory for certain but desperate to at least try to live out her life with him, Moffat uses the "fixed point in time" line to make the ending final. I'm not sure why Rory and Amy couldn't have found some way of getting out of New York and finding their way back to River and the Doctor. Instead we find out from the gravestone that they are by now both dead of old age and that they lived out their days together.

Presumably River is going to be able to continue to see them with her time vortex thingy - and she has to get the book to Amy anyway.

And, of course, River gets to continue her life with the Doctor. We know how that ends and so does he. I liked the "you can't have two psychopaths in the TARDIS" line to explain why this is no conventional marriage.

It strikes me that there is potential for a whole new spin-off series covering Amy and Rory's life in New York. If there are angels in the city that never sleeps, there's bound to be other alien life forms who need either zapping or understanding. As an aside, you have to wonder how they'll cope going from iPad to manual typewriter, in the days before tv was in every house, and laundry was done mainly by hand.

The person I feel sorriest for is poor Brian. We've only got to know Rory's dad in the past few episodes. We know what he was like with those cubes. Will he be scouring the earth looking for Rory and Amy? Will the Doctor think to go back and tell him what's happened?

We know that Amy and Rory were thinking of stopping their adventures with the Doctor and living out their lives in their little blue house. Fans will be glad that they weren't killed or separated. Amy chose Rory twice over her daughter and her raggedy man. If it had all gone wrong, she risked the first time simply death, the second a lifetime of isolation from everybody she loved.

The Angels take Manhattan is the best episode of a strong series so far. Ironically, I had saved Karen Gillan's We'll take Manhattan, in which she plays 60s model Jean Shrimpton, to watch.

Karen Gillan and Arthur Darvill have given us hours of pleasure over the last 3 years. Let's hope they have great success in their future careers, and have time to hit the convention circuit, too.

Doctor Who -The Pandorica Opens episode review

I had always thought that the word Review implied that there would be spoilers, which there are here in multitudinous number. I don't think there is an unspilt bean in sight. I am not technically clever enough to work out how to do what Charlotte has done, but do go and read her review later too.

Oh blimey. That was one hell of a Doctor Who episode last night. My head hurts after watching it and I need Millennium's Daddy Richard to explain it all to me. I just hope he's been sitting up all night writing his review because I don't really think that I can wait for too long for his view.

I think my general feeling is that it was bloody brilliant and I can't wait to see how they're going to sort this one out. Talk about taking you through every emotion in 45 minutes. It was pacy, it had comedy, tension, excitement, awe, drama, fear and incredible sadness. Well done that man Moffatt.

The episode starts with a difficult to watch scenes in which Vincent Van Gogh was in his bed screaming with agony as his mental torture seemed to accelerate and intensify. Attention was drawn to a new painting he'd drawn.

Then in 1941, you see that painting being given to Churchill in the War Rooms, who immediately phones the Doctor to warn him of something - but the call is diverted to River Song in prison in the 52nd century. She escapes, very easily, and heads to the Royal Galleries to find the painting where she's confronted by Liz "I'm the Bloody Queen" 10. That painting showed the TARDIS at the centre of a huge explosion.

Cut to Amy and the Doctor in the TARDIS. He's about to show her the writing on this amazing diamond cliff face which is supposed to be from the dawn of time and which nobody has been able to translate. The message in fact said "Hello Sweetie" and gave them some co-ordinates to follow.

We then end up in Roman times, where they find River Song pretending to be Cleopatra visiting the Romans. Well she died in 30BC and this was 102AD or something, so there's one howler that the Doctor should have worked out for a start. When the Doctor explains that they need the Romans help, the soldier he's talking consults with an unseen centurion.

From there it's a short journey to Stonehenge, the actual Stonehenge, filmed in daylight where the Doctor locates something buried underneath and accesses it just by lifting one of the ancient stones. All too easy.

They find a big box which River Song says is being opened from the inside. This is apparently the Pandorica which the Doctor had dismissed as a fairy tale. It was built to lock up the most evil being in the Universe, more vile than anyone we've met so far in 47 years of Who.

Amy's comment that Pandora's Box, which contained the worst things in the world, was one of her favourite stories as a child and the Romans were her favourite period in history alerted the Doctor to the fact that something weird was going on. I thought the scene where they found the Pandorica was beautifully put together. Watching Confidential later, they showed how the scene was actually shot with music playing so the actors' movements were in time with it. It was meant to portray the awe they felt when the found the Pandorica.

In the midst of all this, you get moments of pure comedy. River Song, for example, responding to a comment about wizards by saying she hated hearing about wizards cos it always turned out to be the Doctor.

River identifies that there are tens, maybe hundreds of thousands of spaceships in orbit, Daleks, Cybermen, Sontarans, Judoon, Sycorax, Slitheen, Nestene Consciousness, Uncle Tom Nasty and all.

There's an amazing scene which brought to mind images of an American politician accepting the nomination at a convention. A moment of irrational triumphalism as the Doctor addresses all the assorted megalomaniacs, telling them that, actually, for the moment, he has the Pandorica and incites them to remember every day when he's defeated them so they should decide who's going to have a go first.

River Song has been dispatched to fetch the TARDIS. She finds that it's being controlled from outside and takes her to the date that was revealed as the "base code of the universe" when they met the weeping angels.

Amy decides to use her absence to question the Doctor on the engagement ring she found in his pocket last week, clearly thinking he's going to propose to River.

Unbeknownst to the characters, but revealed to us was the disembodied head of a cyberman. Its arm started shooting at the Doctor and Amy. Later Amy was ensnared by cables coming from the head. She escaped, but the scene where the remainder of the cyber torso clunked in and reunited himself with his head was very well done. With the Doctor knocked out by an electric shock of sorts, Amy had to fight the metal man off with a flaming torch and ended up in a cupboard. She puts her ear to the door to find a sword being stabbed through it, missing her by inches.

The door opens, and in walks the centurion from earlier - who reveals himself to be Rory. As he says "Hello, Amy", she faints.

While Amy's unconscious from the dart the cyberman shot at her, the Doctor confronts Rory about how he's there. Rory knows he died but can't properly explain how he came to be a Roman but he just knows that he is.

Meanwhile River finds herself at Amy's house. She tells the doctor on the phone that someone been there before her. In Amy's bedroom, she finds a book about the Romans and realises that the commander who was talking to Rory is identical to the person on the cover. She tells him that he's walked into a trap. He tells her to get away from there to any time, anywhere.

Back in Roman times, the Pandorica is finally opening and preparing to reveal its secrets. Amy regains consciousness and doesn't remember Rory. She heads out for some fresh air and he follows her. They talk and she starts to remember him.

The scene is now set for the climactic final scenes.

The Doctor realises as the Pandorica opens that it's not to let something out, but to imprison something in. The assorted aliens start to appear and talk about how they have formed an alliance to deal with him as he's responsible for all the cracks in time. It dawns on the Doctor that he's about to be locked away as he's dragged into it.

Outside, just as Amy's memory of Rory returns, the Romans are revealed to be Autons, including Rory. He struggles to keep at bay the impulses that are telling him to kill Amy. She tells him that he ain't going anywhere. Just as you think he's won that personal struggle, as she leans to kiss him, his hand turns robotic, reveals a pistol and seemingly shoots Amy dead. That description doesn't do justice to the way in which the scene was acted by both Amy and Rory. It's not quite the Romeo and Juliet which the director aimed at, but the events and emotions, from confusion to delight to tragedy to pathos as Amy's body falls to the ground are powerfully enacted.

At the same time, River is trapped in the TARDIS which explodes. The last scene of the episode shows all the spaceships in orbit above the earth disappearing gradually and then all falls black as the earth itself disappears..............

Stephen and I spent literally hours trying to figure this whole thing out. He suggested that this was all the work of the Dream Lord from earlier in the series. I think that has a fatal flaw because River Song mentioned the Pandorica opening when she last saw the Doctor earlier in the season. Anyway, if the Grand Moff made half the series a dream, then he'd have to be put on free transfer to daytime soap writers land. Stephen thought that it was completely unbelievable for such a motley crew of aliens to work together. I say that each of them is megalomaniac enough to think they can double cross and overpower the others and they all have a common interest in getting the Doctor. Anyway, they are all bad buggers. In that respect, their alliance is more credible than our current coalition Government.

I think that River Song is in this up to her neck. I'm not sure that her motivations are malevolent. We are clearly meant to think that she killed the Doctor, possibly a future regeneration of himself, the first time she met him and she's been in Space Nick ever since (apart from the times she escapes, obviously). Did she rig the TARDIS the last time she was onboard to make sure Churchill's call went to her? Is she trying to alter time to atone for her actions and ensure that the Doctor does not die at her hand? Getting in league with his sworn enemies would be a funny way of doing this, but we can't ignore the fact that she's the one who got the Doctor to that point in time and who left him there alone. I don't trust River, and I am certain she knows more than she's letting on. We only have her word about his future and her past close ties with him. He trusts her to drive the TARDIS on the basis that she knows his real name..... Mind you, she certainly knew what she was doing and completely kicked his backside in the first Weeping Angels episode.

Daddy Richard argued that the cracks in time could be the Doctor's fault:

It's possible that he's even caused the cracks in time by making Amy's wedding day not only the most crucial day of her life but also one that isn't supposed to happen at all: the kind of universe-shattering paradox that might happen if she only ran away with the Doctor because it was the eve of her wedding, that the things that the Doctor has put right because she was with him, only happened at all because of something he's now prevented from happening – explaining how the crack appear to be following them: it's trying to swallow up the paradoxical events of Amy's post Wedding-that-never-was timeline.

It's the height of impertinence on my part to dare to argue with him on anything Doctor Who related - or in fact anything at all - but I just don't buy the Doctor, who is more acutely aware of time than any of us could ever be - would allow this to happen. Even if he did, it's profoundly unjust that he should be locked up to save a universe which would then be destroyed by the Assorted Nasties anyway.

Could it be that the cracks were caused by the Doctor showing up so many years late for his rendezvous with Amelia - but then that doesn't seem to be his fault - there was some sort of external control on that. It could be that all is resolved by either the Doctor or River being able to go back and pick her up on time so that she wouldn't have been able to produce all the drawings and develop the interests that allowed the trap to be set. But then what does he do with a 7 year old on board? My suspicion is that whoever was responsible saw his first encounter with Amelia and then did something to prevent the Doctor from coming back.

I hope that the Grand Moff can keep up the standard for next week. It's much easier to set up the scenarios for a fantastic cliffhanger than it is to bring it all to a credible conclusion. I really, really, really don't want Amy to be dead. Or to go off into the sunset with an un-nestened Rory. She's better than that and we deserve to see more of her. She may be turn out to be the axis on which this series have spun, but she's proved her worth as a character and the in-TARDIS chemistry is wonderful. River has to stay too - she is way too interesting a character to lose, but if she is culpable for the current scenario in some way, that needs to be revealed without diminishing the Doctor's faith in her.

We also have the loose ends of Rory's badge in the first episode being issued in 1990 and we need to find out why Amy doesn't remember the Daleks.

Whichever way I look at this I come up with some reason why that conclusion wouldn't work. Maybe I should just leave it to clever Daddy Richard.

A final thought - the episode is interspersed with the Doctor, River and Amy galloping on horseback across the countryside, we are supposed to think near Stonehenge. That doesn't seem to fit into the story somehow. We all laughed when we saw them. We decided that the far away shots were clearly stunt doubles riding, but the close up ones were hilarious. We decided that Matt, Karen and Alex must have been filmed on some bouncy thing in front of a green screen. We weren't exactly right. Confidential showed them on a bouncy seat thing in a truck on location. Utterly ridiculous. I just wonder if these three horse riders are going to prevent the Apocalypse.

I don't want to wish a whole week away, particularly when the weather's so lovely, but I can't wait for the Big Bang on Saturday.